The Paper Label Stable

Memoirs from Norway’s underground dance pioneers: Geir Jenssen #8

This video was unearthed on our travels during 2016, the tape was actually found in a skip after a studio clearance digitised and rescued!

Director/interviewer: Casper Evensen

Commissioned & Produced: R&S Records

Location: Lysverket Studios, Tromsø, Norway.

Date: circa 1994/95

 

Casper Evensen (CE): Is isolation something that forms your music, makes it extraordinary?

Geir Jenssen – Biosphere (GR): Yes, I think so, in a way we’re isolated from what’s happening in England and Europe. And that makes it easier to have a certain style and do something others don’t.

(CE): but with this new technology, will you make remix after remix and sample some here and there, will that make it (the music) simpler in a way?

(GR): No. The better equipment you have, the bigger goal you set yourself, to make something brand new, that no one has ever made before. It’s actually harder.

(CE): Where is Geir Jensen (Biosphere) heading after ‘the’ Levi’s commercial (Novelty Waves was placed in an ad by Levis)?

(GR): I am working on my next double CD. The first CD I made in the dark period of the year; you hear that in the music. Now that the sun is back, I will make the second CD, another version of the CD I made in the dark period, with more sun in the music.

(CE): Film music Geir, your genre and your way of working should be perfect for this, have you given it any thoughts?

(GR): Yeah, I have made music for a couple of short films and I’m pretty sure a film will happen in near future.

(CE): Is this something that interests you?

(GR): Yes, I would very much like to do that.

(CE): Why is Tromsø happening right now for this type of music?

(GR): First of all it’s a lot of very talented people here. But I also think that if you compare Tromsø and Oslo. Oslo has more to offer, theatre, cinema, concerts, raves, house parties etc.

Here pretty much nothing is happening outside, so you’re almost forced to sit inside and make music.

(CE): The technology and distribution are simpler, has this changed the music industry?

(GR): Yes. Before a band got signed to a record label with big budgets, and you had to go to a studio and spend a lot of money to record the album. I can sit here and send a fax when I finish a track. And a freight company come and pick up a DAT, this little cassette I have here. That cassette is in Europe the next day and can be released a couple of days after that. Things move very fast now.

(CE): Can the record industry keep up with this?

(GR): The label I am on, a small label that specialises in techno music, are just interested in this genre. They have a complete understanding of what is going on. But I believe bigger labels can’t work that fast, because we’re talking big budgets, promotions etc. Everything must be planned ahead.

(CE): The Internet is the new music channel, almost like MTV, is this something you use?

(GR): No, I am thinking about getting internet, but I think it’s mostly a waste of time, to be honest.

(CE): How long time do you spend on developing an album, for instance, the record you are working on now?

(GR): I have been working a year and a half just to finish the first of the two CDs (on the double album). But I hope I will finish the second CD faster. So in a way, it’s not that fast to produce my music.

WATCH the INTERVIEW HERE.

Martin Wold – Reisen EP

Another slice of the nu disco deep stuff from Martin Wold who brings some serious Norwegian heat to late nights and sunny days.

Havet has drums that swing, a sweet sample, locked in bottom end and synths that hypnotise. There’s a touch of early Paper about it and it’s brilliantly playable at any time of night.

Seilet hits a similar vibe but with a slightly techier edge. A square bass, stabs, ringing snare, keys and arped shimmering synths create deep music for positive people.

Le Visiteur: “Really nice release, Havet for me!”

Duncan Grey: “Loving both of these…yes definitely a touch of early paper here”

Get Down Edits: “Excellent!”

Billy Scurry: “Lovin the shimmer on Havet, just floats.. The that bottom end swing on Seilet!”

 

Bandcamp      Juno      Beatport      Traxsource

Super FU – Cocoons

Fall to your knees and thanks be to the Balearic Gods, Super FU are here and ready to deliver a blast of much needed sun drenched sounds ahead of their (very brilliant) debut album. ‘Cocoons’ is a taster of what’s coming with two original cuts from the long player plus added remix action.

All I Have Known rolls off the blocks with a distorted piano loop, spaced out arps, lazy beats and lush pads, all topped with ethereal vocals for sunsets and hazy evenings. Good times are coming.

Stay Here packs some wonky style synth hits and offset beats with Sarah Lazenby’s fabulous vocals giving it that extra special something. Added floating pads & synth chords put this firmly in the ‘Balearic Street Soul’ category.

Remixes go fully into orbit as Dan Wainwright and our very own Massey tackle ‘All I Have Known’ and create a full blown space disco workout that sounds like a lost Lindstrøm track. Dancefloor mayhem is predicted.

Balearic godfathers Coyote take ‘Stay Here’ and turn in a dubbed out percussion led cosmic groover with pulsating synth lines and soaring pads ahoy..smoke if you got ’em!

Ron Basejam: “Original and Coyote on All I Have Known are definitely tickling my trumpet!’

Fingerman: “That Wainwright & Massey remix is awesome! Nice one lads!”

Pathaan: “KILLER PACKAGE!!!”

Robot 84: “TBH both remixes are sounding hot, not much between them, love them both.. the originals are great as well!”

 

Spotify     Bandcamp     Juno     Beatport     Traxsource

Oddio Factory – It’s A Factory

Sounds of a Parisian style are the flavour on this release from the duo known as Oddio Factory. If house music with a touch if the cinematic is your thing, then this one delivers in spades.

The Prophet boasts full on throbbing low-end action alongside some serious John Carpenter style Arp work and pads in the breakdown. Sci-fi house and disco with a stop off at Baldelli’s Cosmic Club is where it’s at.

U Slip is a more stripped back and sparse offering that keeps things cosmic but goes heavy on the hypnotic. Swinging drums, mutant synth stabs, analogue pads and twisted vocal samples take it early doors or late night.

Got Bolts (Keito Sano on the Shore Remix) goes right to the dance floor for a late night, hazy deep disco workout with a one note bass driving the sparkling percussion and synths. It’s a mix that cuts through genres from techno and house to Balearic and soulful.

The original Got Bolts is a heavier affair with broken house beats and a two note bass holding down the psychedelics delays and synths.

Sean Johnston: “Keita mix for the win!”

Dicky Trisco: “Feeling original of Got Blots here. Deadly!”

Anthony Mansfield – Sometimes yah gotta listen twice. GET SOME!

Bill Brewster: “Keito Sano mix is nice!”

Get Down Edits – Excellent stuff from Paper Recordings, ive been playing Paper Records since 96 & still feature stuff in my sets today.

Fingerman – The remix is right up my street :)

Thrillhammer: “That Got Bolts, Keita Sano remix, is really gorgeous!”

 

Bandcamp     Spotify     Juno     Beatport     Traxsource

Oddio Factory – The Prophet Video

Sounds of a Parisian style are the flavour on this release from the duo known as Oddio Factory. If house music with a touch if the cinematic is your thing, then this one delivers in spades. The Prophet boasts full on throbbing low-end action alongside some serious John Carpenter style Arp work and pads in the breakdown. Sci-fi house and disco with a stop off at Baldelli’s Cosmic Club is where it’s at.

 

                                                                                  BANDCAMP

Kooky & Damoon feat. Joanne Steele – EP3

The dancefloor is ablaze once again to the sounds of Liverpool’s finest, Kooky & Damoon. They return to Paper Disco with a third outing, the snappily titled ‘EP3’ and its another slice of slickly produced disco with a wink to cosmic and a nod to Studio 54.

‘Got To Be Real’ has lovely piano chords, hip shaking bass, Quincy Jones style strings and stunning vocal from Joanne Steele, who delivers it direct to the floor.

Joanne returns on I”m With You’ which goes in deeper, with a big room disco acid bass alongside funky as hell guitars and lush strings. Infectious, catchy and equally at home in a dark basement or main room Ibiza.

Remixes come from a pair of disco hotshots with James Rod tackling Got To Be Real whilst Andy Buchan reworks I’m With You, each taking things heads down to the party. BOOM!

Get it on BANDCAMP

2 Billion Beats – Meanders EP

As Phil Lynott once sang, ‘The Boys Are Back In Town’ and indeed they are, as 2 Billion Beats jump back in the Paper saddle.

Three brand new cuts of analogue electronic brilliance make up the Meanders EP and its a true return to form.

Beats of No Nation puts Fela through the disco machine for a lazy chug number. It has a tribal build that gives way to an acid B-line alongside a distorted vocal and big chord stabs to make this a solid ALFOS box ticker.

Empty Boulevard has plenty of cosmic arp action and synth stabs to lift it into peak E time tackle before lush piano chords mellow things out. And don’t forget the disco strings.

Down The Docks is the dance floor weapon on this package. Heavy bass jumps around with raspy lead lines and clattering percussion to give it a proper low slung flavour…and the drop detonates!

Pete Herbert: “Excellent as usual!”

Daco: “Loving the disco theme running throughout this release. ‘Beats of No Nation’ is the stand-out track with ‘Empty Boulevard’s euphoric vibes coming in a close 2nd. Superb!”

Robot 84: “Great release , all three tracks really strong, Beats Of No Nation is killer love it…”

Pathaan: “Loving all 3 tracks ! Empty Boulevard hits the spot today, no doubt the other will another day”

 

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Best of Paper 2020 – Flash Atkins Mix

While 2020 has been a massive shit sandwich with no ketchup, its been a great for music and let’s not forget that the orange lunatic got told to pack his toys and move on….see ya.
Its been a vintage year for us too us too as Paper Wave got in to its stride with brilliant albums from Popsneon, Stubb and The Secret Soul Society along with a flurry of downtempo beauties. Paper Recordings signed their first African artist in Camblom Subaria and the US represented with Mr. Tea, ThrillHammer and Ryan Kick. Paper Disco knocked it out the park with Anoraak, James Rod and Trash The Wax Vol. 8 while Denmark and New Zealand went head to head with Kennedy and Jahn Solo.
Flash Atkins dusted off his controller and blended it all for this end of year mix to see in to 2021 where we’re headed for the light. And just wait to see what we’ve got lined up for 2021….ooooooooooooooft!
Onwards.
Paper x

1. Sirius Rush – Water (Popsnen Mix)
2. Stubb – We Are Launching feat. Jane Weaver
3. The Secret Soul Society – My Exstasy
4. The Secret Soul Society – Don’t Walk Away
5. Coyote – The Igigi Gods Dub
6. BOM – Moon of Endor
7. Picotriopico – Threescodisome
8. Martin Wold – Elixer
9. Anoraak – Fire Inside (Emperor Machine Maxi Edit)
10. De L’Ivresse – Field River
11. From Beyond – Planetary Groove
12. BOM – The Day
13. 2 Billion Beats – Beats of No Nation
14. Jahn Solo – It’s My House
15. The Secret Soul Society – In The Dark
16. James Rod – Belong City
17. Mr Tea – Dramatic Entrance
18 – Popsneon – This Town Forever
20. Coyote – Finally…House
21. Ryan Kick – All That We Do
22. ThrillHammer – Heart Throbbing Lover (Synthe Tigers Vocal Remix)
23. Danny Russell & Ronald Christoph – Future’s Gonna Get You
24. Kennedy – Who Rocks 89
25. Stubb – Haven Wood

Stubb – The Love You Once Regret feat. Charlie Sinclair Video

The fantastic video for Stubb’s The Love You Once Regret feat. Charlie Sinclair (Sylvette) was made by the super talented animator Caleb Riley.

Based around an ancient tree spirit with nods to Studio Ghibli and Pan’s Labyrinth, it is a comment on the Climate Emergency and how trees offer solution and salvation. Charlie Sinclair brings the soul to the epic, cinematic song and make sure you hold tight for the soaring chorus at the end.

Taken from the album Stubb – Canopy.

Get it on Bandcamp – https://stubbed.bandcamp.com/album/ca…

Ryan Kick – Looking Back EP

Pure house music is the order of the day on this mega Paper EP debut by Burlington’s Ryan Kick. ‘Looking Back’ harks back to the old school Paper sound when deep house was actually deep house.

There are five tracks of groove ridden, stripped back club joints with each as simple and straight forward as they are infectious.

There are nods to Chicago, Detroit and NYC and the EP is destined for some serious smoke filled basements with sweaty walls and even sweatier people.

File under ‘DJ Weapons’.

 

Juno               Beatport                   Traxsource                 Spotify